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Postcard poems

Poetry on Loan – Postcards.

Here you’ll find my poem on the subject of Onwards, Upwards, Freedom which was chosen to be put on a postcard during the last round of Poetry on Loan.

It was amazing to see the illustration that appeared showing a pile of books leaning towards a window – and to see postcards and posters appearing in libraries all over the West Midlands. Not only that but I got to read with the other poets in libraries across the area.

Now I’ve been lucky enough to have been chosen again for the 2019 postcards. The eight poems this time are on the subject of Anniversary and will be appearing in time for National Poetry Day on 3rd October.

I can’t wait to see how they’ve illustrated my poem this time and to get some postcards to send to unsuspecting friends and family – not to mention reading again in libraries with the other Poetry Postcard poets.

Poetry Bus Magazine

Delighted to have two poems in Poetry Bus Magazine, Issue Eight. This magazine from Ireland really looks great. I loved the clear type face. The cover is The Crown by Carl-Martin Sandvold, which was runner up in the 2019 BP Portraits Award.

Coming up

Readings and events coming up over the next few months:

Reading at Much Wenlock Poetry Busk on Sunday 6th May 2018 in the Priory Hall, Much Wenlock. The Busk runs from 2pm to 5pm.

Reading at City Voices, Wolverhampton at The Light House on Tuesday 8th May, 7.30.

Reading with Postcard Poets, Sara-Jane Arbury and Dave Reeves at Penn Library, Wolverhampton. Thursday 17th May 5pm – 6pm.

Workshops with Bilston Writers: Saturday 16th June and Saturday 21st July.

An event for Coventry Readers’ Groups with West Midlands Readers’ Network, Bookwise at Coventry Library on Wednesday 20th June. 12.30 start.

Saturday 7th July, 11am to 1pm in Stoke Central Library – Paperverse with Marion Cockin.

Appearing with Dan Phelps at the Wilfred Owen Festival on Sunday 4th November. We’ll be performing a brand new poem with music specially written for the event.

Let me know if you need information on any of these.

River Passage app

River Passage, the poem set on the river Severn is now available as a downloadable app. from the i-tunes store.

‘If there is such a thing as a perfect poem, this must surely be it’ – Neal Leadbeater in writeoutloud

The app features a reading of River Passage by the poet, backed by original piano music by Dan Phelps.

For excerpt of the poem/ music click here 

For excerpt of the piano music click here


River Passage app costs 99p in the UK and 99c in the US. It is designed for iPhone and iPod touch. River Passage 1.0 requires iOS 9.0 or later. Produced by William Gallagher for Dark Ride.

River Passage won second prize in the Stand International poetry competition in 2000 and is also available as a pamphlet with illustrations by Jayne Gaze. It is also included in Wolverhampton Madonna (Offa’s Press, 2016) and as a CD (Offa’s Press)
Links to more information about the contributors can be found at:

Link to Dan Phelps

Link to William Gallagher






Poetry pamphlet

This review of Wolverhampton Madonna  is by Neil Leadbeater on :

Jeff Phelps has been writing and publishing poetry for more than 30 years. He is co-editor of The Poetry of Shropshire (Offa’s Press, 2013) and has had two novels published by Tindal Street Press. He lives in Bridgnorth.

The title of the collection, Wolverhampton Madonna, refers to the painting Madonna and Child by the Austrian artist Marianne Stokes which is currently in Wolverhampton Art Gallery. The painting is reproduced on the front cover of the pamphlet.  In his poem ‘Madonna and Child’, Phelps brings her down to ground level. The poem is provocative because of the way in which he chooses to position her in the context of the 21st century.

At the centre of this collection is the long poem ‘River Passage’. The narrative moves seamlessly from one character to another, rather in the manner of one relay runner passing the baton to another, starting and ending with a schoolteacher but travelling outside the classroom to the schoolyard and then on to the river. Phelps uses mathematical imagery to hold the taut narrative together. Despite its length, it is fast-paced and always holds the reader’s attention. If there is such a thing as a perfect poem, this must surely be it.

His poems are full of wisdom  and they address for the most part the big issues in life. This is a poet who treats his readers on equal terms so that we can readily identify with what he is saying and feel engaged with his words. Beneath the surface his poems run deep. There is a wry sense of humour at work in poems such as ‘Cooking in a Bedsitter’ (a nod to Katherine Whitehorn’s classic Penguin book of the same title) and ‘Note of caution for a son going off to university’. These are counterbalanced by the serious tone of ‘Blackberries’ where Phelps quietly makes the connection between his subject matter in the opening and closing lines, just as he does in ‘Oxygen’ where he compares and contrasts two very different situations to dramatic effect.  The clever wit displayed in ‘Angry Haiku’ rounds off the collection with panache.

Stone steps I can’t help taking

These are the wonderful stone steps leading from the chapter house at Wells Cathedral in Somerset. The chapter house is at the top of the flight, flooded with its own light. Look at the way the steps from the right flow and merge into the ones coming straight down. They are almost fluid – a real visionary feat of construction.



When we write about places – just looking

These beautifully ploughed fields on the way to Wolverhampton have always caught my eye, but I’d normally been driving past and hadn’t been able to look at them properly. So an assignment to write a poem in the voice of a ‘place’ was a perfect excuse to take a closer look. (more…)

Sometimes it’s good to be a learner writer

We did a writing workshop on Saturday 24th September at Morville village hall in deepest Shropshire. Ruth Cameron led us through the story of Ceridwen, the powerful sorceress of Welsh legend, and we took turns to imagine ourselves inside the heads of the different characters:

Why did I mix up that brew, what did I think of the other characters, how did I get on with my husband, was I jealous or angry? Exactly how did it feel to be transformed into an otter?
It turned into a deep exploration of motives and story, but there was comedy and high drama, too, with a wonderful transformation and chase scene.
Of course, being writers, we: a) had coffee, tea and biscuits and b) wrote about it, then c) talked about what we’d written.

And of course everybody made something different of it. Thank you, Ruth, for taking us on this journey. It feels like a rich seam of inspiration with lots of potential. It would be fascinating to have the motives of fictional characters and situations analysed, for instance. I hope Ruth manages to run more of this type of workshop. There’s so much potential.
It felt good to be stretched and to try new things among supportive friends. It’s great to be a learner sometimes.

Feeling prehistoric

So I still use a pen and paper – a red one at that – well, sometimes. I like the feel of the biro on paper.

p1010373I like the look of it, the messiness of it. Sometimes I write in alternate colours – not at the same time, but on different days. All right I know it will have to be typed up eventually but until then it just feels more manageable this way – more temporary and less ‘cast in stone’. The pages are more mobile, paragraphs can be re-written. I’ve even been known to use sellotape and scissors. Apologies to computer buffs. I know. It’s positively prehistoric. But I like it.

Writing or typing

Thoughts from American journalist, essayist and environmentlist Rebecca Solnit on lithub :  ‘Remember that writing is not typing. (more…)